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IANCA

COMPANy

LI

ARTISTIc director
bianca li
 

"Dance is an universal language that communi- cates emotions and ideas without the need for words"

Blanca Li is a choreographer, dancer, actress and director. In 2019 she was elected to the Académie des Beaux-Arts, and appointed director of the Teatros del Canal de la Comunidad de Madrid from November 2019 to December 2023.

In June 2024, she was chosen to become president of the public establishment of the Parc et Grande Halle de la Villette, in Paris.

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interwiew

 

interview with Blanca Li

After choreographing the opera Dido and Aeneas at the invitation of the musical direc- tor William Christie, director of the baroque ensemble Les Arts florissants, you are back with a ballet accompanied by the same mu- sic.

Why did you want to continue working on Purcell’s score?

‘In the opera that premiered in 2024, the singers interpreted the story of Dido and Aeneas with their voices, and the dance pro- vided a second, exclusively emotional level of narration.

Based on the libretto, we imagined what emotions the characters were feeling, and tried to express them through the body.
By the time the tour was over, I’d fallen completely in love with the music, and I felt I could go further with the dance.

So I recorded Les Arts Florissants during one of the performances, and a few months later, rehearsals for the ballet began, with a group of 10 dancers I’d known for a long time. Following on from my staging of the opera, the ballet tells less the story of Dido and Aeneas than the emotions, the unspoken, the unspeakable, associated with each stage of their love. That’s what interests me, expres- sing the unspeakable through the body.

Dido and Aeneas ends with Dido’s suicide, abandoned by the man she loves. Women die so often in opera that it sometimes seems that’s all they can do...

As Queen of Carthage in mourning for her husband, Dido breaks several rules by living out her love for Aeneas. Her suicide is pro- voked by her lover’s betrayal, but also by the fear of having to face her people.

I focused on the multiple emotions that people can feel when faced with the suicide of someone close to them. Aeneas is often presented as a horrible character who just walks away. But in the libretto, he is trap- ped by a witch, and in life we are sometimes the victims of situations we cannot control.
I wanted to show his reaction after Dido’s death, the weight of his regret and (justified) guilt, through a solo in which he considers taking his own life.

The anguish of having to follow a destiny dic- tated by the gods but which has caused the disappearance of the one he loves, and the pain and horror of this loss are so great...’.

program

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PRESENTATION

Drawing from the tragic story of *Dido and Aeneas* and the masterpiece it inspired in composer Henry Purcell, Blanca Li crafts a choreographic and visual interpretation that embodies captivating freedom. This fable, both timeless and contemporary, is performed by ten dancers, where the interplay of light and shadow (chiaroscuro) enhances
an atmosphere of magic and intimacy.

The love between Dido, Queen of Carthage, and Aeneas, future founder of Rome, remains one of the most poignant moments in Virgil’s *Aeneid*. In the libretto created for Purcell’s renowned opera (1689), Nahum Tate deliberately omits major events, allowing the music to fully express its evocative power.

This artistic decision liberates choreographer Blanca Li, who uses dance to accentuate what remains unsaid in both the music and text, opting for symbolism over realism. In her interpretation, set to the version recorded by Les Arts Florissants, she offers a mesmerizingly beautiful choreographic and visual take on this opera—one of the finest portrayals of the tragedy of passionate love, highlighting its enduring resonance.

From the doomed love between Dido and Aeneas to Dido’s suicide, driven by the spread of fame (*fama*)—which, much like today’s social media, instantly broadcasts the news of their impossible love to mortals and gods alike—Blanca Li creates a thrilling visual fable. This fable is rich with fantasy, echoing the timeless power of this tragic love story.

CASTING

Une production Calentito - Compagnie Blanca Li

Mise en scène et chorégraphie > Blanca Li

assistée de Glyslein Lefever et Déborah Torres Garguilo

Musique enregistrée Les Arts Florissants > William Christie

Celestial music did the gods inspire Z322 et Didon et Énée,

de Henry Purcell

Enregistrement de la musique au Gran Teatre del Liceu de Barcelone

Chanteurs > Kate Lindsey (Didon) Renato Dolcini (Enée /

Sorcière principale),

Ana Vieira Leite (Belinda)

Scénographie > Blanca Li

assistée de Nina Coulais

Lumières > Pascal Laajili

assisté de Jean-Luc Passarelli et Boris Pijetlovic

Costumes > Laurent Mercier

assisté de Ghjulia Giusti Muselli

Direction technique > Jérémie Oler

Administration de production et de tournée > Camille Denisty

Directeur de production > Etienne Li

Avec les danseurs > Martina Consoli, Alizée Duvernois, Coline Fayolle, Meggie

Isabet, Maeva Lassere, Julien Marie-Anne, Quentin Picot, Gaël Rougegrez,

Gaétan Vermeulen, Victor Virnot.

PARTNERS

 

Creation at Studios de la Compagnie, Fondation Fiminco de Romainville

Creation residency hosted at Le Cube Garges
Coproductions by La Villette, Chaillot - Théâtre national de la Danse, Théâtre

de Liège, Gran Teatre del Liceu Barcelona
With the support of the Ministery of Culture -
Direction régionale des affaires culturelles d’Île-de-France

PRESS EXTRACTS

José Manuel Villafaina,
El Periodico de Extremadura

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‘The staging is full of fantasy and freedom, playing with the comic and tragic aspects of the script. The choreography is full of ideas, images, adaring and colour, enhanced by Pascal Laajili’s powerful lighting, which stands out magnificently against the stage flooded with water evoking the sea.’

 

María del Mar Escobar,
Cadena Ser

‘Blanca Li thrilled the audience at the Mérida International Classical Theatre Festival with a simple montage of music, dance and the purest expression of the body.’

Gonzalo Roldán Herencia,
Granada Hoy

‘Rarely has Purcell’s music been better understood, based as it is on a bodily and dance expression of immense intelligence and creativity’.

tour calendar 23/24

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  • 06 à l'Espace Michel Simon,

Noisy-Le-Grand,

France

NOVEMBRE

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  • 16 > 17 La Piscine,

Chatenay-Malabry,
France

DECEMBRE

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  • 24 > 27 Théâtre de la Cité,

Toulouse, 

France

  • 31 Le Pin Galant,

Mérignac,

France

MARS

crédit Firmin Rodriguez

Espace Michel Simon,
Noisy-Le-Grand,
France

 

crédit Laurent Phillipe 

DIDO & AENEAS

DLB 

DANCE

represents Bianca li  in all the world.

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