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SHUITEMAKER

SHUITEMAKER

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RNO 

RNO 

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ARTISTIC DIRECTOR : 
ARNO SCHUITEMAKER

The Netherlands

Born in the Netherlands in 1976, Arno Schuitemaker is a dancer and choreographer. His pieces – already performed in some twenty countries – are regularly praised for their expressive power and immersive approach to dance. Through hypnotic and intense performances, Arno Schuitemaker works to redefine the links between performers and audiences, inviting them to exercise their gaze in a different way. Rooted in contemporary life, his hyper-physical works fuse dance, performance, influences from the visual arts and the ethos of club culture. They explore the tension between intimacy and collectivity, while questioning how our perceptions and bodies evolve in the face of the challenges of a hyperconnected and fragile world.

The British magazine Dance Europe has hailed him as one of the major Dutch choreographers of our time, and his creation The Way You Sound Tonight received the award for best dance performance in the Netherlands in 2019. Among his works, WHILE WE STRIVE (2015), If You Could See Me Now (2017), 30 appearances out of darkness (2022), The End – part 2 (2023) and After After (2024) have been particularly noteworthy.

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BIOGRAPHY

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AFTER AFTER

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DISTRIBUTION

Concept et création

Arno Schuitemaker 

Performers            

 Jim Buskens,

Camilla Bundel,

Ashley Ho,                    

Frederi Kaijser,

Orla McCarthy,

Angelo Petracca                                

and Paolo Yao 

Dramaturgy:            Miguel A. Melgares 

Music :                  Aart Strootman 

Light design :           Jean Kalman 

Scenography :         Arno Schuitemaker,

                             Jean Kalman 

Costumes:               SADAK 

Technical production: Ruben Lijbers,

                             Sander Schaart 

Rehearsal assistant:    Mark Christoph Klee 

Vocal coach:            Maria Magdalena Kozłowska 

Photos                     Peteris Viksna

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After After explores a world in transition. Arno Schuitemaker draws inspiration from a question by one of today's most relevant philosophers, Federico Campagna: ‘How can we help the creation of new worlds out of the ruins of our own?’ Embedded within this lies the understanding that throughout the cycles of history, each civilization has always reached a climax, only to fall apart. 

 

Considering the nearing expiration of western modernity — which intensifies and accelerates all forms of extraction (economically, environmentally, culturally) — we are confronted with the question: is there a way out? Centering on the unshakable force of human connection, After After delves into the exploration of how we can create new worlds, recognizing that a world doesn’t simply exist: it must be embodied, nurtured, and sustained through song and story. 

 

In search of their own voice and ways of moving, Arno Schuitemaker and a diverse cast of seven dancers present a transforming community. With a white canvas laid at their feet, they create a vibrant playground for reorganizing their relationships, our connection with the rhythm of time, and thus the world around. 

 

After After is an ode to the attempt. The performance unfolds a physical score that embraces its own end: it dies from within, and then gives new life in the form of an urgent prayer. A dance at the crossroads of time. 

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tour calendar 25/26

30 APPEARANCES OUT OF DARKNESS 

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DANCE

DLB 

DLB Dance represents Arno Schuitemaker in all the word
 

  • 10 & 11 /decembre 2025

  • Festival Beaux Gestes,
    Le Centquatre-Paris

  • FRANCE

january

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december

SEE DATES

24

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PRESENTATION

Arno Schuitemaker creates hyperphysical works that fuse dance and performance with influences from the visual arts.

Choreography acts as his tool for radical reflection, increasingly locating politics in - and in relation - to the body. The work centres on the hidden mechanics that mobilise undercurrents of change so that perception shifts. Here it begins: the still is already in motion; the secure is already dissolving; the unseen is already rewriting the world.

Working closely with his team, Arno integrates dance, light, music, scenography, voice, and video into seamless, sensorial performances where each element amplifies the others. His work engages audiences physically, emotionally, and imaginatively, inviting them into a shared space where, above all, movement becomes felt.

Creation:    

Arno Schuitemaker 

Performers:  

Van Ugrin,

Ahmed El Gendy,                            

Emilia Saavedra,

Rex Collins,

Clotilde Cappelletti,

Frederik Kaijser, 

Jim Buskens,              

Angelo Petracca

 

Dramaturgy:           Guy Cools 

 

Music:                   Aart Strootman 

 

Lighting design:       Jean Kalman 

 

Set design:            Arno Schuitemaker,

                            Jean Kalman 

 

 

 

 

 

 

DISTRIBUTION

EXTRAcT 

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Darkness, in any guise, can be disorienting, even threatening: the unknown, the obscure, the void. But what if there is no escape? What if darkness, far from being an absence of light, can be reimagined as potential, the instant we dare to see otherwise? “The future is dark, which is the best thing the future can be,” Virginia Woolf once wrote. 30 appearances out of darkness rethinks darkness, not as the opposite of light but as its source, where we find embodied trust.

Created in collaboration with lighting designer Jean Kalman, the work uses light to materialize the body and treats blackness as active – an interplay reminiscent of Caravaggio. Dimly lit images, lingering on the verge of perception and illusion, appear in a pitch-black space. With its long, suspended columns, the stage evokes a labyrinth. Our assumptions about what we see are put to the test as a group of performers moves through it. Not everyone is visible at once, yet their presence is strongly felt. This dense, mysterious world, inked at first with elusive silhouettes, has its own gravity and absorbs every body. It transforms from a place of protection to hope and, ultimately, shared exaltation: an affirmation of life that offers a radiant response to our fears, contemporary and hidden alike.

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